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CONTACT ARTEMIS LAMPWORK!
Most of the Beads you see in this site are for sale. They are clearly marked as to price and size. Some may vary due to being part of a "set" and are created as requested. Please, Just Email me! (EMAIL LYNNIE) if you have any questions.
"I
don't want it to become work or it won't be fun!"
With a degree from the University of New Hampshire in Pre-Vet/Animal Sciences,
I began my career in the animal sciences, discovering that a veterinary career
was not my cup of tea. I have always loved horses, and for many years was
an Olympic Level Dressage competitor. My riding career ended with a bad car-accident
in the mid-80’s, and I transferred my love of horses to dogs. I shifted
vocations, becoming a dog trainer. I was successful in dog-training, and found
more acclaim as a published author on the subject. I co-authored a book with
Jill Swedlow (The Great Dane: Model of Nobility), and my writing has been
featured in many canine magazines, most notably The Dog Fancy publications.
In 2002 I migrated
to Florida from Manchester, New Hampshire, in search of a management position
in technical support. Two years later I was looking for work again, frustrated
at having lost my corporate job to international outsourcing. I decided to
change career paths and become a Realtor. Becoming a Realtor would afford
me more time to spend with my family and practice my arts, and so Artemis
Lampwork was born.
In the birth months
of Artemis Lampwork, I began designing lampwork jewelry with great joy in
my heart. The high price of the lampwork beads, however, was a less than joyous
discovery. Their price tag, coupled with the fact that I couldn't seem to
find the specific piecesI had in mind, inspired me to create my own lampwork
beads. That year my husband surprised me with an early
Christmas present; all the supplies necessary to begin lampworking myself. From that point forward, the glass began to take on a life of its own.
The most interesting aspects of working with glass have been the surprises that await in the kiln when I try creative color combinations and the endless possibilities for shape and design. I don't prefer one specific technique over another, calling myself "eclectic" in that regard. My style allows me to do a variety of things well.
My signature bead is an aquatic style bead with an "foil based transparent" center surrounded by seashore-type decorations on the outside (which I first made accidentally); I make the aquatic style beads occasionally, lately I've also been leaning towards florals & pastels which I believe are becoming quite good. I typically create bead sets; focal type sets and sculptural sets being my mainstay.
When asked how the first beads I made, compare to the beads I makes now, I laughingly tell people, “they can’t compare!” (I gave them to my husband and told him to hide them!)
My family is supportive,
though they alternately deem me insane and a genius “depending on the
day!”
Once upon a time my studio was my garage refurbished into a room in the house. Now I claim half as my studio and let my husband use the other half. My studio is stocked with Effetre, vetrofond and Lauscha glass, though at times I have used Gaffer, BE and Caliente. The torch I use is a minor with an oxygen concentrator; my favorite tools are a brass poker, a graphite and brass marver, and a Zooziis Kalera Press used for squeeze beads. I also keep Bucket'O Mud Bead Release nearby as it is my friend in the studio, it has saved many a bead!
I find inspiration in the designs of "Amazoo," because of her bright colors and innovative shapes. "Corina," because of her teeny tiny beads with such amazing detail. "Kimberly Affleck," because of her amazing use of twisty and stringer. "Plum Loco Designs," because she thinks way outside the box and has a fertile and wacky imagination. Last, but not least, "Amy Caswell's" adorable animals, I think her beads were my primary inspiration originally.
My advice to those
just beginning lampworking is to start out with a bare minimum of tools. Join
groups for guidance and support. Many tools can be traded or purchased at
a great discount from many lampwork artists. I also suggest joining forum
groups as it is a great way to learn the art, build confidence, and make friends.
I belong to Lampwork Etc. (www.lampworketc.com)
Lampworking is a culmination of all my years as an artist. Glass offers me
endless possibilities; I truly feel I have found the perfect and final outlet
for my creativity and love of shape. Even without formal training, I am already
producing lovely beads, and I really love the glass, and torching! I think
the glass and flame love me as well.
When asked if I do this for a hobby or for work, I always reply, "I see bead making as an exciting career, not work. I don’t want it to become work or it won’t be fun!”
My glass art beads are featured on the Auction Boutique at The Annealer Magazine and I am also May 2006 Featured Bead Artist there as well!
You can also see more of my bead designs at: Ebay Auctions and my work in Progress here: Auction Gallery Feel free to Email Me if you see something you want!
Hugs!
Lynnie
I am also a dog trainer! You can learn more about my dogs and kitties here: [http://www.doglogic.com/]. I have been earning my living as a Realtor for the last few years, but I hope to transition to a full time artist as my skills grow!
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